The most consequential fact about Article 50 in 2026 is that it is already in force. It sits in Chapter IV, and the Digital Omnibus deferred only Chapter III Sections 1 to 3 — so while the high-risk obligations moved to December 2027 and August 2028, the transparency duties did not move at all. Organisations that paused an AI Act programme on the strength of the extension paused a Chapter III programme. Article 50 was never in it and is enforceable now.
It also has no risk-tier gateway. There is no Annex to check and no classification to run: the triggers are functional. A system intended to interact directly with people, a system generating synthetic audio, image, video or text, an emotion recognition or biometric categorisation system, a deep fake. A perfectly ordinary customer-service chatbot that is high-risk under nothing at all still owes 50(1), and the open-source exemption elsewhere in the Act expressly does not reach here. That independence cuts both ways: a high-risk system carries these duties *and* the Chapter III ones, so a deployer working through Article 26 has not finished when it reaches the end of that list.
The distinction that decides most assessments is between 50(2) and 50(4), because they bind different parties and are discharged by different artefacts. Article 50(2) is a provider duty to mark outputs in a machine-readable format so they are detectable as artificially generated — provenance metadata, watermarking, cryptographic signing. It need not be perceptible to anyone. Article 50(4) is a deployer duty to disclose to human beings that content is artificial. A visible "made with AI" badge does not discharge 50(2); an embedded provenance manifest does not discharge 50(4). Organisations routinely ship one and report both. Establishing which of the two you owe starts from which role you occupy, which is the same question that decides everything else in the Regulation — see what AI assurance actually means.
The exceptions are narrower than their shorthand. The editing carve-out in 50(2) reaches assistive functions for *standard* editing and changes that do not substantially alter the input or its semantics — generative fill and voice cloning alter semantics, contrast adjustment does not. The artistic exception in 50(4) does not remove disclosure, it reduces it to disclosing the existence of generated content in a way that does not spoil the work. And the exception for edited text is conjunctive: there must be human review or editorial control and a person holding editorial responsibility.